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By Scott D. Coleman
At 6:30 a.m. I left the quiet compound of Little St. Simons Island and began driving the bumpy road to the north end of the island.
As I jostled along in the truck, the woods were already alive with a chorus of bird calls and songs.
Northern parulas, summer tanagers, great crested flycatchers, yellow-throated warblers, white-eyed vireos and even a couple of great horned owls could all be heard as I drove through the maritime forest.
Rounding the corner on the north end, the Altamaha River Sound, a large expanse of marsh and water, came into view.
With little searching, I found a metal stake near the edge of the marsh, marking the beginning of transect points for a painted bunting project.
The staff of Little St. Simons Island is helping with a regional project to assess and monitor the painted bunting population that breeds and nests here in the summer. For two days in June, we conducted point counts along transects to look and listen for painted buntings.
A Beautiful Bird Under Threat
The male painted bunting is arguably the most beautiful bird in North America. With a violet head, bright red under parts and lime green back and wings, it’s easy to understand why.
Unfortunately, painted buntings have been declining throughout much of their range – from central North Carolina to the Bahamas and Cuba. There’s a western population of the species, also in decline, that extend from southern Missouri and Kansas to Mexico and southward to Panama.
In coastal Georgia, clearing of maritime forests for development seems to be the buntings’ greatest threat. But the buntings on Little St. Simons Island have nothing to fear.
Conserving a Wild Isle
A 10,000-acre privately owned barrier island, Little St. Simons has remained largely undisturbed. The 1 percent of the island that is developed includes an eco-lodge and resort – providing a place for visitors to study and appreciate the natural wonders and beauty of the island.
The remainder of the island remains natural, making it high-quality habitat for painted buntings and other wildlife, including many species of concern like the wood stork, the island glass lizard, and the nesting loggerhead sea turtle.
As the ecological manager for Little St. Simons Island, part of my job is to collaborate with conservation partners and to help with projects like this painted bunting survey. I also work to ensure that the habitat these species need is protected.
A small team of biologists from The Nature Conservancy, the Georgia Department of Natural Resources, National Oceanic and Atmospheric Administration and a private research center are working with us to develop a conservation plan for the island. This plan will work to ensure that the integrity of the islands’ natural areas and important wildlife habitats is maintained and may also include strategies for restoration of areas that have been impacted.
By working to protect these habitats, we are providing areas for foraging, cover, reproduction and nesting, migration stopovers and overwintering for dozens of species of wildlife.
A Bright Future
Only seconds after starting the survey, I heard the first melodic call of the male painted bunting. Soon another call followed. Then I spotted one of the gaudily colored males, perched near the top of a Southern red cedar close to the edge of the marsh.
Fortunately, for this bunting and many other species that live on Little St. Simons Island full-time or visit during their migration, the conservation work that’s in progress will ensure the land and water they need will be protected for years to come.
As ecological manager for Little St. Simons Island, Scott D. Coleman works with public and private conservation partners. At present, Scott is working closely with Nature Conservancy staff to develop a conservation plan for the island. He can be reached at scottc@LittleStSimonsIsland.com.
Nature picture credits (top to bottom, left to right): Photo © Marc Del Santro (Little St. Simons Island, north end overlooking Altamaha River Sound); Photo © Tom Eisenhart/TNC(male painted bunting); Photo © Christine Griffiths/TNC (Scott Coleman).